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EYE SPY #13 - Print/Out examines the many roles that prints play in artistic practices today, embracing the versatile and global nature of contemporary art in the last two decades.Focusing on the medium’s defining characteristics—its reproducibility, collaborative nature, and ability to circulate widely—Print/Out explores how artists have integrated these ideas in some of the most innovative art practices of our time. The exhibition features some 40 artists and artist groups, including Ai Weiwei, Trisha Donnelly, General Idea, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, Robert Rauschenberg, Rirkrit Tiravanija, SUPERFLEX, and Kelley Walker, along with publishers and publishing projects such as Edition Jacob Samuel, museum in progress, and Permanent Food.
The earliest works in the exhibition coincide with the geopolitical transformations of the late 1980s and early 1990s, an emblematic point of departure for examining a medium, which, because of its capacity to disseminate information, has often been linked to social change.
Within the exhibition focused presentations are featured alongside areas physically demarcated with dotted wallpaper, in which print series by various artists—including Trisha Donnelly, Damien Hirst, Guillermo Kuitca, Daniel Joseph Martinez, Julie Mehretu, Jorge Pardo, Slavs and Tatars, Kara Walker, Franz West, Pae White, and Xu Bing—are broken apart and interspersed throughout the galleries. The layouts of these sections were designed by Armand Mevis and Linda Van Deursen, who also served as the designers of the exhibition’s publication. The resulting view within the galleries captures both the familiarity and the ubiquity of prints in today’s landscape, and attests to the extraordinary vitality of a medium central to contemporary artistic practice.

EYE SPY #13 - Print/Out examines the many roles that prints play in artistic practices today, embracing the versatile and global nature of contemporary art in the last two decades.
Focusing on the medium’s defining characteristics—its reproducibility, collaborative nature, and ability to circulate widely—Print/Out explores how artists have integrated these ideas in some of the most innovative art practices of our time. The exhibition features some 40 artists and artist groups, including Ai Weiwei, Trisha Donnelly, General Idea, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, Robert Rauschenberg, Rirkrit Tiravanija, SUPERFLEX, and Kelley Walker, along with publishers and publishing projects such as Edition Jacob Samuel, museum in progress, and Permanent Food.

The earliest works in the exhibition coincide with the geopolitical transformations of the late 1980s and early 1990s, an emblematic point of departure for examining a medium, which, because of its capacity to disseminate information, has often been linked to social change.

Within the exhibition focused presentations are featured alongside areas physically demarcated with dotted wallpaper, in which print series by various artists—including Trisha Donnelly, Damien Hirst, Guillermo Kuitca, Daniel Joseph Martinez, Julie Mehretu, Jorge Pardo, Slavs and Tatars, Kara Walker, Franz West, Pae White, and Xu Bing—are broken apart and interspersed throughout the galleries. The layouts of these sections were designed by Armand Mevis and Linda Van Deursen, who also served as the designers of the exhibition’s publication. The resulting view within the galleries captures both the familiarity and the ubiquity of prints in today’s landscape, and attests to the extraordinary vitality of a medium central to contemporary artistic practice.

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EYE SPY #12 - Millennium Magazines

This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.

EYE SPY #12 - Millennium Magazines

This survey of experimental art and design magazines published since 2000 explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Throughout the 20th century, international avant-garde activities in the visual arts and design were often codified first in the informal context of a magazine or journal. This exhibition, drawn from the holdings of the MoMA Library, follows the practice into the 21st century. The works on view represent a broad array of international titles within this genre, from community-building newspapers to image-only photography magazines to conceptual design projects. The contents illustrate a diverse range of image-making, editing, design, printing, and distribution practices. There are obvious connections to the past lineage of artists’ magazines and little architecture and design magazines of the 20th century, as well as a clear sense of the application of new techniques of image-editing and printing methods. Assembled together, these contemporary magazines provide a first-hand view into these practices and represents the MoMA Library’s sustained effort to document and collect this medium.

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EYE SPY #11 - Exquisite Corpses: Drawing and Disfiguration

In a collaborative, chance-based drawing game known as the exquisite corpse, Surrealist artists subjected the human body to distortions and juxtapositions that resulted in fantastic composite figures. This exhibition considers how this and related practices—in which the body is dismembered or reassembled, swollen or multiplied, propped with prosthetics or fused with nature and the machine—have recurred in art throughout the 20th century and to the present day. Artists from André Masson and Joan Miró to Louise Bourgeois and Robert Gober to Mark Manders and Nicola Tyson have distorted and disoriented our most familiar of referents, playing out personal, cultural, or social anxieties and desires on unwitting anatomies. If art history reveals an unending impulse to render the human figure as a symbol of potential perfection and a system of primary organization, these works show that artists have just as persistently been driven to disfigure the body.

EYE SPY #11 - Exquisite Corpses: Drawing and Disfiguration

In a collaborative, chance-based drawing game known as the exquisite corpse, Surrealist artists subjected the human body to distortions and juxtapositions that resulted in fantastic composite figures. This exhibition considers how this and related practices—in which the body is dismembered or reassembled, swollen or multiplied, propped with prosthetics or fused with nature and the machine—have recurred in art throughout the 20th century and to the present day. Artists from André Masson and Joan Miró to Louise Bourgeois and Robert Gober to Mark Manders and Nicola Tyson have distorted and disoriented our most familiar of referents, playing out personal, cultural, or social anxieties and desires on unwitting anatomies. If art history reveals an unending impulse to render the human figure as a symbol of potential perfection and a system of primary organization, these works show that artists have just as persistently been driven to disfigure the body.

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Upside Down, Left To Right: A Letterpress Film, a beautiful film about a printing workshop in Plymouth by Danny Cooke.

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The fantastic Design Office site with some really useful free fonts, icons and wordpress bits. 

The fantastic Design Office site with some really useful free fonts, icons and wordpress bits. 

Photoset

lukepattons:

shamydefuma:

some screen prints i did for a project at university. i have to make a poster for a toy i’m designing and making (3d) they’re not perfect but still look alright. i think the colours work pretty darn good too.

Feeling this screen-print by steed!

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Just setting this new submission blog up. Eventually should be a nice place for us design students to showcase our work.
Please reblog so more designers can find it.
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EYE SPY #10 - In Numbers is a survey exhibition of the often-overlooked genre of serial publications produced by artists around the world from 1955 to the present day.From the rise of the small press in the 1960s, followed by the correspondence art movement, where artists exchanged art by post, to the DIY zine culture in the 1980s and early 1990s, professional artists have always seized on the format of magazines and postcards as a site for a new kind of art production.In Numbers is the first survey to define a neglected artform that is neither artists’ book nor ephemera, but is entirely its own unique object. 
Approximately 30 publications will be shown at the ICA in vitrines and on the walls, beginning with Wallace Berman’s Semina. The survey includes Eleanor Antin’s 100 Boots, a series of postcards featuring 100 Wellington boots in unusual places; Amokkoma by Klaus Baumgartner, Carston Höller and Johannes Lothar, each issue incorporating doctored elements of historic texts – The Origin of the Species and the diaries of Kafka and Che Guevara; KWY by Christo and others; Fluxus; Art-Language; Raymond Pettibon’s Tripping Corpse; Maurizio Cattelan’s Permanent Food; Dieter Roth’s Gesammette Werke; and Living and Loving by Aleksandra Mir with Polly Staple.
The diversity of the publications is reflected in the backgrounds of the producing artists and in the wide range of techniques, nationalities and media; the survey does not attempt to be exhaustive, but simply to define the genre’s contours and identify certain thematic threads.
January 25 – March 18, 2012Institute of Contemporary Arts, London

EYE SPY #10 - In Numbers is a survey exhibition of the often-overlooked genre of serial publications produced by artists around the world from 1955 to the present day.
From the rise of the small press in the 1960s, followed by the correspondence art movement, where artists exchanged art by post, to the DIY zine culture in the 1980s and early 1990s, professional artists have always seized on the format of magazines and postcards as a site for a new kind of art production.
In Numbers is the first survey to define a neglected artform that is neither artists’ book nor ephemera, but is entirely its own unique object. 

Approximately 30 publications will be shown at the ICA in vitrines and on the walls, beginning with Wallace Berman’s Semina. The survey includes Eleanor Antin’s 100 Boots, a series of postcards featuring 100 Wellington boots in unusual places; Amokkoma by Klaus Baumgartner, Carston Höller and Johannes Lothar, each issue incorporating doctored elements of historic texts – The Origin of the Species and the diaries of Kafka and Che Guevara; KWY by Christo and others; Fluxus; Art-Language; Raymond Pettibon’s Tripping Corpse; Maurizio Cattelan’s Permanent Food; Dieter Roth’s Gesammette Werke; and Living and Loving by Aleksandra Mir with Polly Staple.

The diversity of the publications is reflected in the backgrounds of the producing artists and in the wide range of techniques, nationalities and media; the survey does not attempt to be exhaustive, but simply to define the genre’s contours and identify certain thematic threads.

January 25 – March 18, 2012
Institute of Contemporary Arts, London

Tags: books zines
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EYE SPY #9 - ARTISTS’ BOOK NOT ARTISTS’ BOOK. “How does one tell the difference?” 
 An exhibition featuring books that are, and/or, are not, artists’ books. With work by Chris Burden, Ira Cohen, Richard Meltzer, John Baldessari, Seth Price, Michelangelo Pistoletto, Richard Hell, Tina Lhotsky, Sue Williams, Tom Sachs, Richard Prince, William Gibson, David Wojnarowicz, Dara Birnbaum, Jim Shaw, Ed Ruscha, Sean Landers, and others (not to mention, Various, Anonymous, and Unknown).
January 18 – February 12, 2012Boo-Hooray, New York
    

 

EYE SPY #9 - ARTISTS’ BOOK NOT ARTISTS’ BOOK“How does one tell the difference?” 

 An exhibition featuring books that are, and/or, are not, artists’ books. With work by Chris Burden, Ira Cohen, Richard Meltzer, John Baldessari, Seth Price, Michelangelo Pistoletto, Richard Hell, Tina Lhotsky, Sue Williams, Tom Sachs, Richard Prince, William Gibson, David Wojnarowicz, Dara Birnbaum, Jim Shaw, Ed Ruscha, Sean Landers, and others (not to mention, Various, Anonymous, and Unknown).

January 18 – February 12, 2012
Boo-Hooray, New York

Tags: Artist Books
Photoset

silfarione:

Everything Ages Fast

(via allypurdue)